«… A new way, different, perhaps foretelling the founding of a new “genre” which is not installation art, nor performance, but something going beyond the experiences of the theater and films, expressed in painting and music.
… The “insular” theme, drawn from The Man Who Loved Islands by D. H. Lawrence, is itself a constant in the modern age, from the Island of the Dead by Böcklin to the Island of Ischia by Vettor Pisani, grappling with infinite issues that ultimately reduce to a single, mythical aspect: confronting and overcoming death by the human being.».